Curriculum Vitae: Since 1997 she has actively devoted herself to Renaissance dance, collaborating, as a dancer and  choreographer, with prominent Czech historical dance ensembles. In June 2014, she graduated in musicology from the Faculty of Arts of Charles Universtity Prague, receiving her BA., and currently she continues her postgraduate studies. The topic of her research and PhD thesis is a manuscript tractatus on Renaissance dance by Evangelista Papazzone, dance master at the court of Rudolf II.

Relevant Bibliography:
1. Maestri di ballare aneb nejvýznamnější italští taneční mistři 16. století z pohledu Cesare Negriho a jeho sbírky Nuove Inventioni di Balli [Maestri di ballare or the most important dance masters of the 16th century through Cesare Nergi's collection Nuove Inventioni di Balli], seminar paper, FF UK, Prague 2013.  (for download click here)
2. Taneční mistr z pohledu Cesara Negriho a jeho sbírky Nuove inventioni di balli (1604) [A dance master as seen by Cesare Negri in his work Nuove inventioni di balli (1604)]. In: Clavibus unitis 3 (2014), p. 29-42.
3. Tanec v době rudolfinské [Dance in the Rudolfine period]. In: Harmonie 2015, no. 1, p. 3-4.
4. Dance in the Rudolfine era. In: Czech Music Quarterly, 2015, č. 4, s. 37-40.
5.Prolínání a nejednoznačnost pojmů "renesance" a "baroko" v taneční sféře. In: Sborník Replicon. Soubor vybraných přednášek z ročníků 2013-2016, Praha 2017, s. 35-37.
6.Traktát o tanečním umění. In: Harmonie, 2017, č. 11, s. 36-47.
7. O dvorných způsobech kavalírů rudolfinské doby. In: Clavibus unitis 6 (2017).

Links: https://tanec.tillwoman.net/O+autorce/