![]() |
|||||||||
|---|---|---|---|---|---|---|---|---|---|
|
|||||||||
Name and Surname: Katerina
Manakova Curriculum
Vitae: She completed a Master's degree in lute performance at
the Royal Conservatoire in The Hague, the Netherlands. Her thesis and
subsequent one-year internship at a Belgian research centre focused on
intabulations of sacred vocal polyphonic music for the vihuela de mano
in 16th-century Spain. Since 2024, she has been teaching lute
performance, practical counterpoint and historical ornamentation at the
Department of Historical and Organ Performance at Janáček Academy of
Performing Arts (JAMU) in Brno. She is currently a doctoral student at
JAMU and KU Leuven in Belgium, where she is analysing Cavalcanti's lute
collection (Ms II 275, KBR). In collaboration with Monumenta Artis Musicae Sloveniae,
she is participating in an editorial and research project on Giacomo
Gorzanis and his connections to Central Europe. Through her performance
practice, mainly with the ensemble Ramillete
de Tonos, of which she is the artistic director, she is also
deepening her research into the connection between voice and lute.
Relevant Bibliography: 1. Proces vihuelové intabulace podle Juana Bermudy. Převod vokálních skladeb do strunných nástrojů dle starých španělských mistrů [The process of vihuela intavolation according to Juan Bermudo. Transcription of vocal compositions for string instruments according to the old Spanish masters]. In: Opus Musicum 55 (2023), No. 4, p. 32-40. 2. De vihuela laten zingen. In: Tabulatuur 128 (2024), p. 5-14. 3. The Process of Vihuela Intabulation of Sacred Music in 16th-century Spain. MMus. thesis, Royal Conservatoire, 2023 Den Haag. |
|||||||||
| You can send us your comments and suggestions toumusicarudolphina@bibemus.org ©Association for Central European Cultural Studies | |||||||||


