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- The centre brings together profesional musicologists and students interested in study of music and musical culture associated with the court of Emperor Rudolf II, working at their home institutions in various countries, both within and outside Europe. Their collaboration consists mainly in exchange of information, consultation concerning the manner of its publication, and coordination of research topics. Participation in the project is completely voluntary and the number of participants is not limited.
- Just as the scope of the cultural activities of Emperor Rudolf II and his court was wide, this project, too, crosses over the borders of just one country. It is based in Prague – the city where Emperor Rudolf II lived and worked for the longest part of his life.
- The ambition of this research centre is to gradually summarize and make accessible on its website all important printed and manuscript sources (via “Links”) and literature, including published editions of music (via “Bibliography”) related to Rudolfine musical culture, while also striving to list all recordings of Rudolfine music (“Discography”). It also continually provides up-to-date information related to the activities of the collaborators and the main topic of their common interest. The participants in the project also seek to initiate new endeavours related to Rudolfine musical culture, especially through their own research, publishing ("Publications"), and interpretive work, but also through student seminar papers at their home schools and other places of work.
- As its long-term ambition, the center
aims to offer a comprehensive treatment of musical culture of the
Rudolfine court, including its extension into the middle class of
the countries ruled by Rudolf II. For further information click here.
The research centre is developped within an international team of specialists led by prof. PhDr. Petr Danek, Ph.D. Its members are:
Jan
Bata, Ph.D. (Association for Central European Cultural
Studies / Department of Musicology of Charles University in Prague)
Jan Bilwachs
(Department of Musicology of Charles University in Prague)
Magdalena Dostalova (Department
of Musicology of Masaryk University
Brno)
Scott Lee Edwards, Ph.D.
(Universität Wien)
Ferran
Escrivà-Llorca, Ph.D. (Universitat Politécnica de Valencia)
Sarka Forgacova
(Association for Central European Cultural
Studies)
Klemen
Grabnar
(Muzikološki inštitut, Znanstvenoraziskovalni center Slovenske
akademije znanosti in umetnosti)
Prof.
Dr.
Markus Grassl (Institut für Analyse, Theorie und Geschichte
der Musik – Universität für Musik und darstellende Kunst Wien)
Adriana Gresova-Sekelska, Ph.D.
(Music Centre Slovakia)
Laura Mathilde Louise Hafner,
M.A. (Johannes Gutenberg University Mainz)
Erika
Supria Honisch, Ph.D. (State University of New
York-Stony Brook)
doc.
Martin
Horyna, Ph.D. (University of South Bohemia in České
Budějovice, Faculty of Education, Department of Music)
Prof.
Marta
Hulkova, Ph.D. (Depertment of Musicology of Comenius
University in Bratislava)
Jan Kouba
(Prague)
Jiri K. Kroupa
(Association for Central European Cultural Studies)
Christian
Leitmeir, Ph.D. (Faculty of Music, University
of Oxford)
Vladimír
Manas, Ph.D. (Department of Musicology of Masaryk University
Brno)
Peter Martincek,
Ph.D. (Music Theory Department of The Academy of
Performing Arts Bratislava)
Bernhard
Rainer, Ph.D. (Institute of Early Music and
Performance Practice – University of Music and Performing Arts Graz)
Alanna Ropchock Tierno, Ph.D.
(Shenandoah university)
Miloslav Student
(Association for Central European Cultural
Studies / Department of Musicology of Masaryk University
Brno)
Hana Studenicova,
Ph.D. (Institute of Musicology, Slovak Academy
of Sciences
in Bratislava)
Hana Tilmannova
(Department of Musicology of Charles University in Prague)
Prof.
Stanislav Tuksar, Ph.D.
(Muzička akademija Sveučilište u Zagrebu)
Michaela
Zackova Rossi, Ph.D.
(Association for Central European Cultural Studies)